black madonna for palestine digital prayer card

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this piece was created in solidarity with palestine & the palestinians who fight against occupational Israeli forces.

this piece is available for free  - my only request is to share it amongst the collective for the innocent souls who tragically lost their lives in the recent bombings caused by the israeli goverment.

if you feel called to pay for my labor of this piece and would like to donate to my creative business, my venmo is: @raphdraws.

the black madonna is the sacred feminine rooted in the body living on the earth. she is both a living reality and an archetypal embodiment of human behavior. she is both paradox and ambiguity. she can be viewed quite literally and symbolically.  through her loving acceptance of all and valuing the interrelatedness of all life, the black madonna brings us to wholeness. at this time of world upheavals, she reminds us of the sacredness of life, for the need to care for and nourish the earth, and ourselves, and all sentient beings.

although the black madonna is commonly associated within christianity, she has many various incarnations including: the roman goddess ceres, the anatolian and roman cybele, artemis in ancient greece, kali in india, and the ancient egyptian mother goddess isis. each iteration of the madonna is “crowned, seated on a throne, with a divine child on her lap.”

“along with her mystical and agricultural connotations, the black madonna alludes to an ancient cultural memory of the african origins of humanity, representing the original mother of earth’s children. “it is a memory that people all over the world carry. because of this, blackness has a very strong symbolic meaning connected to love, nurturing, protection, transformation, power, wisdom, fertility, and justice.” perhaps this collective memory contributes to the fact that the dark-skinned representations are the most revered icons in mariology, and that the darker the skin, the more devotees and the higher the number of miracles associated with the icon.”

source: “The Black Madonna: An Ancient Tradition in Modern Times.” PATRICK COLLINS, https://www.utsa.edu/ovations/archives/pdf/ovations_v8.pdf.

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this piece was created in solidarity with palestine & the palestinians who fight against occupational Israeli forces.

this piece is available for free  - my only request is to share it amongst the collective for the innocent souls who tragically lost their lives in the recent bombings caused by the israeli goverment.

if you feel called to pay for my labor of this piece and would like to donate to my creative business, my venmo is: @raphdraws.

the black madonna is the sacred feminine rooted in the body living on the earth. she is both a living reality and an archetypal embodiment of human behavior. she is both paradox and ambiguity. she can be viewed quite literally and symbolically.  through her loving acceptance of all and valuing the interrelatedness of all life, the black madonna brings us to wholeness. at this time of world upheavals, she reminds us of the sacredness of life, for the need to care for and nourish the earth, and ourselves, and all sentient beings.

although the black madonna is commonly associated within christianity, she has many various incarnations including: the roman goddess ceres, the anatolian and roman cybele, artemis in ancient greece, kali in india, and the ancient egyptian mother goddess isis. each iteration of the madonna is “crowned, seated on a throne, with a divine child on her lap.”

“along with her mystical and agricultural connotations, the black madonna alludes to an ancient cultural memory of the african origins of humanity, representing the original mother of earth’s children. “it is a memory that people all over the world carry. because of this, blackness has a very strong symbolic meaning connected to love, nurturing, protection, transformation, power, wisdom, fertility, and justice.” perhaps this collective memory contributes to the fact that the dark-skinned representations are the most revered icons in mariology, and that the darker the skin, the more devotees and the higher the number of miracles associated with the icon.”

source: “The Black Madonna: An Ancient Tradition in Modern Times.” PATRICK COLLINS, https://www.utsa.edu/ovations/archives/pdf/ovations_v8.pdf.

this piece was created in solidarity with palestine & the palestinians who fight against occupational Israeli forces.

this piece is available for free  - my only request is to share it amongst the collective for the innocent souls who tragically lost their lives in the recent bombings caused by the israeli goverment.

if you feel called to pay for my labor of this piece and would like to donate to my creative business, my venmo is: @raphdraws.

the black madonna is the sacred feminine rooted in the body living on the earth. she is both a living reality and an archetypal embodiment of human behavior. she is both paradox and ambiguity. she can be viewed quite literally and symbolically.  through her loving acceptance of all and valuing the interrelatedness of all life, the black madonna brings us to wholeness. at this time of world upheavals, she reminds us of the sacredness of life, for the need to care for and nourish the earth, and ourselves, and all sentient beings.

although the black madonna is commonly associated within christianity, she has many various incarnations including: the roman goddess ceres, the anatolian and roman cybele, artemis in ancient greece, kali in india, and the ancient egyptian mother goddess isis. each iteration of the madonna is “crowned, seated on a throne, with a divine child on her lap.”

“along with her mystical and agricultural connotations, the black madonna alludes to an ancient cultural memory of the african origins of humanity, representing the original mother of earth’s children. “it is a memory that people all over the world carry. because of this, blackness has a very strong symbolic meaning connected to love, nurturing, protection, transformation, power, wisdom, fertility, and justice.” perhaps this collective memory contributes to the fact that the dark-skinned representations are the most revered icons in mariology, and that the darker the skin, the more devotees and the higher the number of miracles associated with the icon.”

source: “The Black Madonna: An Ancient Tradition in Modern Times.” PATRICK COLLINS, https://www.utsa.edu/ovations/archives/pdf/ovations_v8.pdf.